Princeton professor Ruben Gallo has just published an unexpected and unique new book called “Freud’s Mexico–Into the Wilds of Psychoanalysis”.
Freud never visited Mexico, but apparently he had a deep interest in the country, and included Mexican artifacts in his antiquities collections.
An excerpt from the book’s advance publicity is quite riveting:
Freud’s Mexico is a completely unexpected contribution to Freud studies. Here, Rubén Gallo reveals Freud’s previously undisclosed connections to a culture and a psychoanalytic tradition not often associated with him. Freud found a receptive audience among Mexican intellectuals, read Mexican books, collected Mexican antiquities, and dreamed Mexican dreams; his writings bear the traces of a longstanding fascination with the country.
In the Mexico of the 1920s and 1930s, Freud made an impact not only among psychiatrists but also in literary, artistic, and political circles. Gallo writes about a “motley crew” of Freud’s readers who devised some of the most original, elaborate, and influential applications of psychoanalytic theory anywhere in the world: the poet Salvador Novo, a gay dandy who used Freud to vindicate marginal sexual identities; the conservative philosopher Samuel Ramos, who diagnosed the collective neuroses afflicting his country; the cosmopolitan poet Octavio Paz, who launched a psychoanalytic inquiry into the origins of Mexican history; and Gregorio Lemercier, a Benedictine monk who put his entire monastery into psychoanalysis.
After describing Mexico’s Freud, Gallo offers an imaginative reconstruction of Freud’s Mexico. Although Freud himself never visited Mexico, he owned a treatise on criminal law by a Mexican judge who put defendants—including Trotsky’s assassin—on the psychoanalyst’s couch; he acquired Mexican pieces as part of his celebrated collection of antiquities; and he recorded dreams of a Mexico that was fraught with danger. Freud’s Mexico features a varied cast of characters that includes Maximilian von Hapsburg, Leon Trotsky and his assassin Ramón Mercader, Frida Kahlo, Diego Rivera—and even David Rockefeller. Gallo offers bold and vivid rereadings of both Freudian texts and Mexican cultural history.
About the Author
Rubén Gallo is Director of the Program in Latin American Studies and Professor in the Department of Spanish and Portuguese Languages and Cultures at Princeton University. He is the author of Mexican Modernity: The Avant-Garde and the Technological Revolution (MIT Press, 2005).
To order the book from the MIT press click here
I’m grateful to Margaret Ann Hanly for bringing this book to our attention. Just in time.